“Works Cited” in “Sound Never Tasted So Good”
Works Cited
Ahern, Kati Fargo. “Understanding Learning Spaces Sonically, Soundscaping Evaluations of Place.” Computers and Composition, vol. 48, 2018, pp. 22-33.
---. “Tuning the Sonic Playing Field: Teaching Ways of Knowing Sound in First Year Writing.” Computers and Composition, vol. 30, 2013, pp. 75-86.
Alexander, Jonathan. “Glenn Gould and the Rhetorics of Sound.” Computers and Composition, vol. 37, 2015, pp. 73-89.
Alexander, Jonathan, and Jacqueline Rhodes. On Multimodality: New Media in Composition Studies. CCCC/NCTE. 2014.
Anderson, Erin. “Toward a Resonant Vocality for Digital Composition.” enculturation: a journal of rhetoric, writing, and culture, vol. 18, 2014, http://enculturation.net/materialvocality.
Arola, Kristin L., and Anne France Wysocki, editors. Composing (Media) = Composing (Embodiment): Bodies, Technologies, Writing, the Teaching of Writing. Utah State UP, 2012.
Beckerman, Joel, with Tyler Gray. The Sonic Boom: How Sound Transforms the Way We Think, Feel, and Buy. Houghton Mifflin Harcourt, 2014.
Bibby, Laurel. “Heston Blumenthal’s Next Challenge.” World Travel Guide, 1 Nov. 2017, https://worldoffoodanddrink.worldtravelguide.net/food/chefs/heston-blumenthals-next-challenge/.
Blumenthal, Heston. Heston’s Fantastical Feasts. Bloomsbury, 2010.
---, performer. Heston’s Feasts. Optomen, 2010.
---. “Madeleines.” The Sunday Times, 1 Oct. 2005, https://www.thetimes.co.uk/article/madeleines-2m85rspql8h.
Bommer, Billy. “Best Baby Sound Machines of 2018.” Top Ten Reviews, 6 Aug. 2018, https://www.toptenreviews.com/electronics/family/best-baby-sound-machines/.
Boyle, Casey. “Writing and Rhetoric and/as Posthuman Practice.” College English, vol. 78, no. 6, 2016, pp. 528-50.
Brabazon, Tara. “The Sounds of Food: Defamiliarization and the Blinding of Taste.” Journal of Sonic Studies, vol. 14, https://www.researchcatalogue.net/view/369386/369387.
Ceraso, Steph. Sounding Composition: Multimodal Pedagogies for Embodied Listening. U of Pittsburgh P, 2018.
Comstock, Michelle, and Mary Hocks. “The Sounds of Climate Change: Sonic Rhetoric in the Anthropocene, the Age of Human Impact.” Rhetoric Review, vol. 35, no. 2, 2016, pp. 165-75.
Daughtry, Martin J. Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq. Oxford UP, 2015.
Davis, Diane. Inessential Solidarity: Rhetoric and Foreigner Relations. U of Pittsburgh P, 2010.
Detweiler, Eric. “What Isn’t Rhetoricity?” Rhetoricity, 17 Mar. 2015. https://rhetoricity.libsyn.com/what-isnt-rhetoricity.
Dewey, John. Experience and Education. 1938. Touchstone, 1997.
Dolmage, Jay. “Disability, Usability, Universal Design.” Rhetorically Rethinking Usability, edited by S. Miller Cochran and R.L. Rodrigo, Hampton P, 2009, pp. 167-190.
Dyson, Frances. Sounding New Media: Immersion and Embodiment in the Arts and Culture. U of California P, 2009.
Ellsworth, Elizabeth. Places of Learning: Media, Architecture, Pedagogy. Routledge, 2005.
Eno, Brian. “Liner Notes.” Music for Airports, Polydor Records, 1978.
---. “Liner Notes.” Discreet Music, E.G. Records, 1975.
Eshun, Kodwo. More Brilliant Than the Sun: Adventures in Sonic Fiction. Quartet Books, 1998.
Feld, Steven. “Acoustemology.” Keywords in Sound, edited by David Novak and Matt Sakakeeny, Duke UP, 2015, pp. 12-21.
Ferguson, Priscilla Parkhurst. Word of Mouth: What We Talk About When We Talk About Food. U of California P, 2014.
Fleming, Amy. “How Sound Affects the Taste of Our Food.” The Guardian, 11 Mar. 2014, https://www.theguardian.com/lifeandstyle/wordofmouth/2014/mar/11/sound-affects-taste-food-sweet-bitter.
Franklin, Rebecca. “Traditional French Palate Cleansers.” The Spruce Eats, 30 Oct. 2018, https://www.thespruceeats.com/traditional-french-palate-cleansers-1375349.
Gentry, Bobbie. “Ode to Billie Joe.” Ode to Billie Joe. Capitol, 1967.
Gibson, James J. The Ecological Approach to Visual Perception. Houghton Mifflin, 1979.
Goodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. MIT P, 2012.
Hawhee, Debra. “Rhetoric’s Sensorium.” Quarterly Journal of Speech, vol. 101, no. 1, 2015, pp. 2-17.
Hawk, Byron. Resounding the Rhetorical: Composition as Quasi-Object. U of Pittsburgh P, 2018.
Helmreich, Stefan. “Transducing.” Experience: Culture, Cognition, and the Common Sense, edited by Caroline A. Jones, David Mather, and Rebecca Uchill. MIT P, 2016, pp. 163-167.
Henriques, Julian. Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing. Bloomsbury Academic, 2011.
Hocks, Mary, and Michelle Comstock. “Composing for Sound: Sonic Rhetoric as Resonance.” Computers and Composition, vol. 43, 2017, pp. 135-46.
Houge, Ben. “Food Opera: Merging Taste and Sound in Real Time.” New Music Box. 11 Sept. 2013, https://nmbx.newmusicusa.org/food-opera-merging-taste-and-sound-in-real-time/
Ingold, Tim. The Perception of the Environment: Essays on Livelihood, Dwelling and Skill. 2000. Routledge, 2011.
Kerschbaum, Stephanie. “Modality.” Kairos: A Journal of Rhetoric, Technology, and Pedagogy, “Multimodality in Motion: Disability in Kairotic Spaces,” edited by Melanie Yergeau et al., vol. 18, no. 1, 2013, http://kairos.technorhetoric.net/18.1/coverweb/yergeau-et-al/pages/mod/index.html.
Lakoff, George, and Mark Johnson. Metaphors We Live By. U of Chicago P, 1980.
Latour, Bruno. “Sensitizing.” Experience: Culture, Cognition, and the Common Sense, edited by Caroline A. Jones, David Mather, and Rebecca Uchill, MIT P, 2016, pp. 315-323.
Leschin-Hoar, Clare. “Shh! These Quiet Food Videos Will Get Your Senses Tingling.” NPR, 16 Aug. 2017, https://www.npr.org/sections/thesalt/2017/08/16/542903392/shh-these-quiet-food-videos-will-get-your-senses-tingling.
Lynch, Paul. “Shadow Living: Toward Spiritual Exercises for Teaching.” College English, vol. 80, no. 6, 2018, pp. 499-516.
Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. Duke UP, 2002.
Miller, Paul D., editor. Sound Unbound: Sampling Digital Music and Culture. MIT P, 2008.
Novak, David, and Matt Sakakeeny, editors. Keywords in Sound. Duke UP, 2015.
Pettman, Dominic. Sonic Intimacy: Voice, Species, Technics (Or, How to Listen to the World). Stanford UP, 2017.
Proust, Marcel. Swann’s Way. 1913. Translated by Lydia Davis, Penguin Books, 2004.
Ratliff, Ben. “Annoyed by Restaurant Playlists, A Master Musician Made His Own.” New York Times, 23 Jul. 2018, https://www.nytimes.com/2018/07/23/dining/restaurant-music-playlists-ryuichi-sakamoto.html.
Rice, Jenny, Chelsea Graham, and Eric Detweiler, editors. Rhetorics Change/Rhetoric’s Change. Parlor P and Intermezzo, 2018, http://intermezzo.enculturation.net/07-rsa-2016-proceedings.htm.
Rickert, Thomas. Ambient Rhetoric: The Attunements of Rhetorical Being. U of Pittsburgh P, 2013.
Romm, Cari. “Why Comfort Food Comforts.” The Atlantic, 3 Apr. 2015, https://www.theatlantic.com/health/archive/2015/04/why-comfort-food-comforts/389613/.
Santos, Marc C., and Megan M. McIntyre. “Toward a Technical Communication Made Whole: Disequalibrium, Creativity, and Postpedagogy.” Composition Forum, vol. 33, 2016, http://compositionforum.com/issue/33/techcomm.php.
“Seafood Served with an iPod: Heston Blumenthal’s Latest Recipe.” Daily Mail, 16 Apr. 2007, http://www.dailymail.co.uk/news/article-448840/Seafood-served-ipod-Heston-Blumenthals-latest-recipe.html.
Shipka, Jody. Toward a Composition Made Whole. U of Pittsburgh P, 2012.
Sirc, Geoffrey. English Composition as a Happening. Utah State UP, 2002.
Sloley, Emily. “America’s Best Comfort Foods.” Travel and Leisure, 20 Jan. 2012, https://www.travelandleisure.com/slideshows/americas-best-comfort-foods#1.
Spence, Charles, and Betina Piqueras-Fiszman. The Perfect Meal: The Multisensory Science of Food and Dining. Wiley Blackwell, 2014.
Stoever, Jennifer. The Sonic Color Line: Race and the Cultural Politics of Listening. New York UP, 2016.
Stuckey, Barb. “The Taste of Sound.” Salon, 11 Mar. 2002, https://www.salon.com/2012/03/11/the_taste_of_sound/.
Sun Eidsheim, Nina. Sensing Sound: Singing and Listening as Vibrational Practice. Duke UP, 2015.
Thibodeau, Paul, James L. McClelland, and Lera Boroditsky. “When a Bad Metaphor May Not Be a Victimless Crime: The Role of Metaphor in Social Policy.” Paper Presented at the Cognitive Science Society Conference, Amsterdam, Jul 2009, https://www.researchgate.net/publication/281033612_When_a_bad_metaphor_may_not_be_a_victimless_crime_The_role_of_metaphor_in_social_policy.
Twilley, Nicola. “Accounting for Taste.” The New Yorker, 2 Nov. 2015, https://www.newyorker.com/magazine/2015/11/02/accounting-for-taste.
VanKooten, Crystal. “Singer, Writer: A Choric Exploration of Sound and Writing.” Kairos: A Journal of Rhetoric, Technology, and Pedagogy, vol. 21, no. 1, 2016, http://kairos.technorhetoric.net/21.1/inventio/vankooten/index.html.
Voegelin, Salomé. Listening to Noise and Silence: Towards a Philosophy of Sound Art. Bloomsbury Academic, 2010.
Weheliye, Alexander. Phonographies: Grooves in Sonic Afro-Modernity. Duke UP, 2005.
Wilson, Bee. First Bite: How We Learn to Eat. Basic Books, 2018.
Woods, A.T., et al. “Effect of Background Noise on Food Perception.” Food Quality and Preference, vol. 22, no. 1, 2011, pp. 42-47.
A Note on Sounds: All sound effects and ambient tracks used in the audio Intro and Outro of Sound Never Tasted So Good, as well as in the student produced soundtracks, were downloaded for free via Freesound.org. Additionally, short excerpts of the following songs were used in the audio Intro and Outro:
Crosby, Bing. “White Christmas.” Christmas Classics, Capitol Records, 1988.
The Dandy Warhols. “Cool Scene.” Thirteen Tales from Urban Bohemia, Capitol Records, 2000.
Ketsa. “The Gentle Side.” Free Music Archive, 8 Feb. 2019, http://freemusicarchive.org/music/Ketsa/Emotive_Music_Film_and_Radio/The_Gentle_Side.
Mitski. “Nobody.” Be the Cowboy, Dead Oceans, 2018.
Mr.ARG. “Soothe Your Baby to Sleep with Womb Sounds.” YouTube, 27 May 2013, https://www.youtube.com/watch?v=Nh6VsGPnXKY. Accessed 8 Feb. 2019.
Sinatra, Frank. “I’ll Be Home for Christmas.” A Jolly Christmas from Frank Sinatra, Capitol Records, 1957.
Wilson, Brian. “Good Vibrations.” Smile, Nonesuch Records, 2004.
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